I Want in!

your career in film and TV starts here


Get Your First Paid Makeup Gig. (Without the Spiral.)

Join the waitlist for Get Your First Gig - the course that shows you exactly how to go from trained and ready to actually working, with a little less second-guessing and a lot more clarity.

You finished school. You've got the skills.

And somehow, the next step still feels completely unclear.

That's not a talent problem. It's a "nobody actually tells you this part" problem.

Get Your First Gig is built for exactly where you are right now.

This is for you if:

  • You graduated (or are about to) from makeup school and have no idea how to turn training into actual paid work
  • You're technically capable but quietly terrified that no one will take you seriously. yet
  • You've been waiting to feel "ready" - and ready keeps moving further away
  • You had some momentum, then lost it, and aren't sure how to get back in the game
  • You want real, on-set applicable guidance from someone who's actually done this work - not just someone who talks about it

 

The Founding Member Offer

If you're on this waitlist get two things nobody else gets.

First in the door - you'll hear the moment the course opens, before it goes public.

The founding member price - when Get Your First Gig launches, waitlist members get access at the lowest price it will ever be offered. That's not a gimmick. Founding members take a small leap of faith early, and the price reflects that.

In return, I'd love your honest feedback and (if you're willing) a testimonial once you've been through the material. That's the deal.

  • The one hair type most beginners reach for first (and when it's actually the wrong call for the job)
  • Every tool you need to punch realistic, detailed hair work - without overspending when you're starting out
  • The piece of equipment most artists forget until it's too late (and why it makes everything harder when it's missing)
  • What you'll be working on - and why it changes everything about how you approach the job
  • The needle situation: what to use, and why the right one makes a bigger difference than you'd think

I'M KERRIN


[Your Humble Instructor]

I'm Kerrin. I've been working in film and television makeup for nearly 30 years, including a massive amount of special effects and character makeup work. And I spend a lot of time answering DMs from artists in exactly your position.

This course exists because that conversation needed a proper home.



YES!

Save My Spot as a Founding Member!